23.09.2024 - 28.10.24 (Week 1-5)
Celine Christabelle Patricia / 0374872
Typography / Bachelors of Design (Hons) in Creative Media / The Design School
Task 1 - Exercise
Table Contents
Lectures
Lecture 1: Typo_0_Introduction
It is the act of creating letters or creation of typefaces which can be found in animation, website, apps, signage, logo, and many more. It should be legible, readable, and appealing.
Calligraphy : writing letters
Lettering : drawing the letters
Font :
Individual font or weight within typefaces
Georgia Bold, Georgia Italic
Typefaces :
The entire family of fonts/weights
Georgia, Arial, Helvetica
back to top
Lecture 2: Typo_1_Development
Early Development : Phoenician to Roman
Writing was formed by scratching wet clay with sharpened stick or carving stone with chisel.
Uppercases were written with combinations of straight lines and circles. Uppercases evolved from Phoenician to Greek to Roman in about 900 years.
The Greek then changed the writing direction which is called as Boustrophedon. Texts are read from left to right then right to left alternately. Letter forms change as the reading direction change.
|
|
| Fig 2.2 - Boustrophedon |
back to top
Lecture 3: Typo_3_P1
Kerning : automatic adjustment between two letters
Letter spacing : spacing between text line, the overall spacing of letter
Tracking : the spacing between letters even sentences, must be at least 5 points
Formatting
Flush Left : left alignment, ragged right, most readable
Centered : ragged right and left, only for small amount of text, less readable
Flush Right : right alignment, ragged left, only for small amount of text, less readable
Justified : equally right and left, the extra gaps between words makes it less readable
Text/Texture
|
|
| Fig 3.1 - Text requirements |
back to top
Lecture 4: Typo_4_P2
Indicating Paragraphs
Pilcrow (¶) : to indicate a start of a new paragraph within a block of text.
Cross alignment : 2 columns of text next to each other where text is align to one another
Text and Spacing : Text size < Leading size; Leading size = Paragraph Space
Indent : replacement of paragraph space; used in justified
Line space VS Leading
|
| Fig 4.1 - Line space and Leading |
Line space : from the descender of one line to another descender
Leading : make sure descender of a line doesn't touch the another ascender (inter-linespace)
|
| Fig 4.2 - Widow and Orphan |
Highlighting Text
Cross alignment
Cross aligning headlines and captions with text type reinforces the architectural sense of the page while articulating the complementary vertical rhythms. Columns are aligned to each other.
back to top
Lecture 5: Typo_2_Basic
Uppercase/Lowercase
Small capitals : smaller X height, found in serif fonts
Uppercase Numerals : lining figures, same height as uppercase letters
Lowercase Numerals : set to x-height with ascenders and descenders, less common in sans serif
Italic : text slightly lean to the side
|
| Fig 5.2 - The fonts |
Roman : uppercase forms are derived, slightly lighter stroke is called "book"
Italic : Italian handwriting
Oblique : based on roman form typeface
Boldface : thicker stroke than roman form
Light : lighter stroke than the roman form "thin"
Condense : a version of Roman form, extreme condensed known as "compressed"
Extended : extended version of roman font
Instructions
Module
Projects
Week 1
Excercise 1: Type Expression
Sketch
Students were given an assignment to make sketches from 4 out of 6 words given: Pull, Rush, Chop, Tangled, Explode, Wind.
It is crucial to:
1. Understand the definitions of the words (To illustrate the words as its definition)
2. Observe the 10 typefaces given by the lecturer. (By understanding the weights of each typefaces)
3. Do look for some inspirations, ironically, i got my inspirations by walking around the campus and shopping mall.
Therefore, these are the sketches:
back to top
Week 2
Digitalize
It is crucial to:
1. Make sure the words are within the boxes
2. Use the proper typefaces given by the lecturer
3. To insert the typefaces used under the box.
Below are the results:
FINAL DESIGN:
Following from the feedback session, from the previous design, the letter C in chop seems like biting instead of chopping, so I changed it into 2 of the letter forms getting chopped.
The word Tangle must be closer to the baseline, Explode must be expressed strong, don't put extra story in a word. Keep every word designs concise.
back to top
Week 3
Animate
|
| Fig 3.2 - Result (14/09/24) |
back to top
Week 4
Exercise 2: Text Formatting
Lecture 1: Kerning and Tracking
Lecture 3: Alignment, Paragraph Spacing, Text Fields & Ragging
Fig 4.3 - Alignment, Paragraph spacing, Text fields,
Ragging
Excercise : Text Formatting
|
| Fig 4.7 - Text Formatting Final JPG (22/09/24) |
- Typeface: Bembo Std
- Font/s: Bembo Std Extra Bold
- Type Size/s: 30 pt
- Leading: 36 pt
- Paragraph spacing: 0
- Typeface: Bembo Std
- Font/s: Bembo Std
- Type Size/s: 9 pt
- Leading: 12 pt
- Paragraph spacing: 12 pt
- Characters per-line: 50-60 characters
- Alignment: left alignment
- Margins: 36mm top + bottom, 25mm right+left
- Columns: 2
- Gutter: 5 mm
Feedback
Week 1
General Feedback: Able to understand the steps to make a blog and brief information about typography
Week 2
General Feedback: Understanding font weights is essential for effective design. Avoid adding excessive graphic elements and keep your concept concise.
Specific Feedback: The letter 'i' in the word 'wind' has already been modified with an asterisk. Do not add excessive alterations to other letters. Additionally, ensure that the blog title accurately reflects its content and that the content itself is well-developed and engaging.
Week 3
General Feedback: Don't have too much relationship with own design, design must be objective.
Specific Feedback: From the previous design, the letter C in chop seems like biting instead of chopping, the word Tangle must be closer to the baseline, Explode must be strong, don't put extra story in a word.
Week 4
General Feedback: Add pauses to your animation so the effect is visible and must make sense with its definition.
Specific Feedback: the gif animation of the word wind is already good, but for the final result of the type expressions, Explode needs to be thicker and condensed so it has more impact.
Week 5
General Feedback: Paragraph spacing must not be too wide, never trust the screen, to make sure the layout, print it to see the real size in real life.
Specific Feedback: Consider the size of the document,
the bigger the headline, more noise, somewhat less readability,
since it is in an A4 paper, make it smaller. Adjust kerning and
line space. Don’t use text as an image.
Reflections
Experience
At first, I thought typography was simply different ways of how to style a word or letter. As I learn, I understand that typography turned out has evolved from time to time. It was quite challenging to receive feedbacks from Mr. Vinod, though I do realize that those feedback were needed to improve my skills and mentality.
Observations
As I learn typography in Mr Vinod's class, I just know that simplicity is needed in typography, which means it should be readable, concise, and lack of graphical elements. It is interesting to make use of different typefaces and fonts to make a word to express themselves. With typography, people can understand the meaning in a word even if they don't know the definition of it.
Findings
One of the most interesting findings I had was the importance of context in typography. I learned that different typefaces can convey different moods or messages. For example, a playful font might be appropriate for a children's book, while a more formal font might be better suited for a corporate brochure. Additionally, the amount of negative space around typography can also impact its overall impact and readability. Too much or too little space can make the text difficult to read or appear cluttered.
Further Reading
What I read
In typography, while the aesthetic appeal of a text may be considered, readability is ultimately important Choosing the right font size and font family is essential for ensuring clear and comfortable reading. Additionally, kerning, line spacing (leading), line breaks, formatting styles, headlines, and subheads can significantly enhance the overall readability and visual appeal of the text. Generally, leadings and paragraph spacing are twice larger than its font size.
However, do keep in mind to prevent some unpleasant looks in formatting such as widows and orphans, which is known when the last/first line of a paragraph is not able to fit at the bottom/top of a page or column. It is essential to carefully consider these factors mentioned before, designers can create typography that is both functional and aesthetically pleasing.
What I found interesting
![]() |
| Computer Typographic Basics I.D.E.A.S - Page 7 |
This book explains fonts very detailed, from its styles, its fonts, how they are displayed, also shows an example of how it is done which makes it easier for me to understand how it visually looks. From this page I know several types of font weights, from ultra thin to super bold.
![]() |
| Computer Typographic Basics I.D.E.A.S - Page 8 |
This page was also explained in the lecture briefly, but I understand it more after reading this page because by reading the explanation, it's somewhat easier for me to process. Not only ascenders and descenders, there are a lot of parts in a single letter, its X height, cap height, and many more. This book explain it in a simple way but understandable.
![]() |
| Computer Typographic Basics I.D.E.A.S - Page 26 |
![]() |
| Computer Typographic Basics I.D.E.A.S - Page 34 |

%20changing%20color%20(must%20be%20C-MK).png)
%20changing%20color%20(must%20be%20C-MK).png)

.png)
.png)

%20changing%20color%20(must%20be%20C-MK)%20(1).png)

.png)






Comments
Post a Comment